Auras appear to be artifacts of our interactions with all of the rest of creation to manifest what we need within our world. Auras are a kind of visual key to comprehending the negotiation or mediation processes between our conscious, subconscious and unconscious desires and our collective super-consciousness that is our link with creation whereby all our dreams are made manifest.
Once we pray, meditate or day dream our Aura colors be a little more highly charged and that we may discover our prayers have been answered, our thoughts have transformed into reality, or our dreams have come true. We frequently attribute this sort of experience to coincidence but those in our midst who are familiar with the belief that people create our personal reality understand that this may not be coincidence; instead, those individuals realize that this can be our natural capability to directly manipulate reality, which we are developing on a level of our conscious awareness using our feelings and thoughts to steer ourselves.
You will find a real interaction happening between us and also the world around us over a subtle level that could be perceived by developing the talent to find out auras. Everyone has this talent; it is really an innate part of who and what we are. However, developing this talent to some degree where we could consciously perceive and study auras usually takes just a little work. By imagining we already have the ability to accomplish this we can open how you can actually develop this talent right into a great tool inside our lives. While imagination could be our initial step on this journey, our journey continues past the limits in our imagination and could manifest in a very real talent that assists us to perceive the planet around ourselves more clearly and to change this world more deliberately.
I discover that auras appear as colors that move about and in a subject. With any subject there appear to be many associated colors, usually there are some particular colors which seem to be dominant. The colours as well as their forms and motions often alternation in reaction to my thoughts or even the thoughts of my subject as I am studying them. The interactions of my thoughts with the colors of my subject’s aura assist me to to begin with to build up a concept of what is going on in my subject’s life and the things they may need to learn.
Typically I actually have preferred to sketch a portrait of my subject over a roughly textured neutral gray paper with colored pastel pencils. Drawing the actual type of my subject’s face takes about 5 minutes to produce a light sketch, meanwhile the act of drawing helps to move me right into a more meditative, receptive frame of mind in which the colors begin to become clearer.
If no dominant colors or patterns are apparent i consider each one of the colors to be able from red to purple/red in a number of repetitious cycles until I sense a harmony to particular colors start to emerge. (A set of color flash cards or a color wheel can be quite a great tool for this purpose.)
Considering that the what color is my aura are moving I have to observe them for patterns and intensities and then render a montage of the themes I see so the most striking or important parts are portrayed.
I speak with my subject when i sketch, making suggestions that return responses inside my subject’s aura which will help me to unravel the meanings from the colors and what is probably transpiring in my subject’s life that is certainly being displayed in the aura.
Dark or clouded areas of a feeling typically represent secrets or information my subject is repressing. Often these are things my subject is painfully aware of or perhaps is seeking to deny.
Light, bright or shining parts of an aura indicate well-being and balance. Sparkling parts represent an anticipation of imminent events.
It is actually easy to begin to see the influences of another person upon my subject as my subject targets that individual; it could then be apparent what role that other person plays and whether or not they may help or hinder my subject in particular ways.
As with any psychic practice, the reader should always consider their particular state of being and should take care not to project details of their very own life in to the reading presented to a subject.
My paper tablet becomes a special window for me. On one side I contain myself in order never to contaminate a few things i see through my window. The life of my subject seems to me through my paper tablet. The window of my paper tablet assists me to maintain the focus of my reading upon my subject while inhibiting me from interjecting a reading for myself to the process.
Should you be not artistically adept you might still utilize the paper tablet and colored pencils, rather than striving to produce a likeness of your subject’s physical features dispense using the portrait preamble and instead doodle as you study your subject till the inspiration involves begin reading their aura.
My personal favorite combination of colors is Green and Purple. Both of these colors in combination represent Art inside the Magick sense and inventive activities including writing or painting within the more mundane aspect. Typically this color combination is accented with Gold or Yellow. Here is the property by which the Art or art talks to us, transforming us.
The chance of Art (Magick) within the action of drawing a portrait is extremely strong. The reader may act as a healer and may make an effort to downplay a style which may be associated with pain or suffering while playing up themes of happiness and spiritual advancement. However it is essential to guide the topic when applying any Art, for your lesson coming from a pending hardship may be required through the subject as well as the lesson must still manifest inside their life in certain form. Typically this sort of lesson is replayed repeatedly in a subjects life; so instruction might be drawn using their past, to ensure that they may finally ‘get it’ and dispense with the necessity for many further repetitions of the lesson which can become possibly damaging or unpleasant in nature.
The effective use of Art rarely prevents another cycle with this repetitious lesson from playing out, but it may ameliorate another cycle to a few great or small degree and the subject could be better able to learn from the following repetition of the lesson in the event the reader has properly prepared those to perceive and understand their lesson.
To start your personal exploration of auras find some good crayons and a few rough neutral paper. The backs of brown paper shopping bags are very good for this. You can use photographs, objects around your property, pets, plants or nljsii as the subject. Black and white photographs are particularly beneficial to this sort of exercise. Place your subject against a neutral background like a vacant white wall. Study your subject around the edges, when it is an individual, pay particular attention to the crown chakra where the energy channel is frequently strongest. (You may also try directly observing a subject’s chakras.)
Personally, I get the edges of any subject’s profile are the most effective places to begin seeing the interplay of colored light that emanates from within them. If you feel the truth is nothing, then imagine what you think you might see if you can see auras. Take notes with all the colored pencils and try to associate your feelings with the Chakra colors as you take notes. You can do this just by making use of the color crayon that seems most appropriate to you personally to write your ideas with. You might be not necessary to organize your perceptions in the form of a photo. Sometimes a thought may have one strong color and several associated colors. It is possible to loosely overwrite whatever you have written with the same words in a different color once this seems appropriate, or you may find new words emerge as you decide on a new color in association with something you might have already written or drawn.
Just allow this to happen; don’t get too involved in how you will do that or what you might want to find out about a subject. Instead, open your heart and mind to each and every tiniest thought and feeling and follow these wherever they could lead you.