We’re going to try and give you a quick consider the major varieties of electric guitar effects pedal. Here in part 1 we’ll cover the basics.
We understand there are millions of internet sites offering insight to the topic, however its been our experience that they’re written by engineers, not musicians… they read like microwave manuals as opposed to a helpful resource… Anyway… off we go.
I can’t really milk more than a few lines using this topic. It’s pretty cut and dry- an increase pedal will give your signal a volume boost – or cut, for the way you’ve got it set. Most boost pedals act as a master volume control allowing you quite a wide variety of use.
Why do I want a boost pedal? To give your guitar volume up over the rest of the band in a solo, to operate your amp harder by feeding it a hotter signal, to have a set volume change in the press of the mouse.
When most guitarists discuss overdrive, they can be making reference to the smooth ‘distortion’ made by their tube amps when driven to begin breaking up. Overdrive pedals are meant to either replicate this tone (with limited success) or drive a tube amp into overdrive, creating those screaming tubes beyond what they normally can do without wall shaking volume.
So why do I want an overdrive pedal? Overdrive pedals can be used a lift pedal- so you get those inherent benefits, you’ll get some good added girth in your tone in the distortion produced by the pedal. Most overdrive pedals have tone control offering you wider tone shaping possibilities.
Based upon our above definition of overdrive, distortion is when overdrive leaves off. In the rock guitar world think Van Halen and beyond for a clear illustration of distorted guitar tone. Distortion pedals often emulate high gain amps that create thick walls of sound small tube amps will not be capable of creating. If you’re fortunate enough to have a large Marshall, Mesa Boogie, Diezel or another monster amplifier to generate your distortion you might not need to have a distortion pedal. But for the rest of us mere mortals, electric guitar effects pedal are essential to modern guitar tone.
Exactly why do I need a distortion pedal? You need to be relevant don’t you? In spite of large amps, like those stated earlier, distortion pedals play a key role in modern music. They provide flexibility that boosts and overdrives can not rival.
God bless Ike Turner and the Kinks. Both acts achieved their landmark tones by using abused speaker cabinets. Ike dropped his in the street walking straight into Sun Records to record Rocket 88, the Kinks cut their speakers with knives roughly the legends have it. Regardless how they got it, their tone changed the entire world. Some think of it distortion, some think of it fuzz, however, seeing the progression readily available damaged speakers towards the fuzz boxes built to emulate those tones, I do believe its safest to call what Turner and Davies created/discovered was fuzz.
How come I needed a fuzz pedal? Ya like Hendrix, don’t ya? In every honesty, the fuzz pedal is seeing resurgence in popular music nowadays. Bands like Nine Inch Nails, Marilyn Manson, Muse along with the White Stripes rely heavily on classic designs on recent releases.
The job of any compressor would be to deliver an even volume output. It will make the soft parts louder, and the loud parts softer. Current country music guitar tone is driven by means of compression.
Why do you need a compressor? Improved sustain, increased clarity during low volume playing.
The earliest “flanger” effects were produced in the studio by playing 2 tape decks, both playing exactly the same sounds, while an engineer would slow down or speed up the playback of among the dupe signals. This is the way you could produce wooshing jet streams. The edge of the old fashioned tape reels is referred to as the flange.
Why do I want a flanger? A flanger will provide a whole new color in your tonal palette. You can live with out one, but you’ll never get some of the nuance coloring of your Van Halen’s, Pink Floyd’s, or Rush’s around the world.
The phase shifter bridges the gap between Flanger and Chorus. Early phasers were intended to recreate the spinning speaker of your Leslie. Phase shifting’s over use might be heard all over the initial Van Halen albums.
How come I want a phase shifter? See Flangers answer.
Chorus pedals split your signal into two, modulates one of those by slowing it down and detuning it, then mixes it way back in with the original signal. The outcome should certainly sound dexspky30 several guitarists playing the same as well, creating a wide swelling sound, having said that i don’t hear it. You are doing obtain a thicker more lush tone, but it doesn’t appear to be a chorus of players if you ask me.
Exactly why do I want a chorus? Because Andy Summers uses one, and Paul Raven says so… that should be good enough.
As being a kid, would you ever enjoy the volume knob in the TV or perhaps the radio manically turning it all around? Yeah? Well you have been a tremolo effect.
So why do I would like a tremolo pedal? 6 words for ya: The Smiths ‘How Soon Is Now’
A delay pedal creates a copy of an incoming signal and slightly time-delays its replay. You can use it to make a “slap back” (single repetition) or perhaps an echo (multiple repetitions) effect. Who amongst us can’t appreciate The Edges usage of guitar pedals review delay throughout U2s career?
Exactly why do I need a delay pedal? See Flangers answer.
A variable band-pass frequency filter… Screw all that- do you know what a wah wah is… its po-rn music! It’s Hendrix! It’s Hammett. It’s Wylde. It’s Slash.